Wednesday, January 25, 2012

The Outdoor Retailer: Indoor Adventure


Wrapping up a five day stint at the world’s greatest trade show has taken its toll. The Outdoor Retailer expo has a habit of doing just that. As I sit in a terminal concourse at the Salt Lake City International Airport five hours early for my flight home, my brain is still reeling from this mad adventure.

Approximately 75 percent of what I do is geared toward the outdoor adventure market. This primarily includes photographing advertising campaigns for outdoor sports brands and shooting editorially for magazines. I attempt to niche myself as one who can create photographs and video from the ends of the earth and still bring back a high-quality product. Those assets are often a necessity when working for outdoor companies where many of the shoots are on location. Therefore, twice a year, I make the pilgrimage to Utah with 20,000 other outdoor industry pros, semi-pros, and newbies; and everybody wheels and deals and parties and tries to create new business for the upcoming year. Buyers, exhibitors, manufacturers, media, and people like me barrage the city’s downtown Salt Palace for four days of outdoor adventure retail mayhem.

Massive brands like The North Face, Columbia, and Merrell run their trade show empires from gargantuan booths featuring museums, bars, and enough new product to keep everyone’s adrenaline at full tilt for the upcoming season. The established guys overlook the small starter companies in booth footprints barely larger than postage stamps and surrounded by homemade poster board walls and hand-crafted graphics. Some brands will make it and some will not. The new iPad case that can protect a tablet if dropped from space (they tested it) may make it. The skier cartoons drawn by a proud husband’s wife who wanted to quit her day job and try something new may not. In any case, it’s simple enough to wander around for days on end, running into people and products that look as if they may be a fine fit to represent.

*          *          *

My start into this soiree began at 4:40 a.m. in my bed. Jolted awake by a screaming alarm, I threw the remaining gear into my Jeep and headed to the airport. I had put off booking my trip until the week prior, which ended up proving a master calamity. I’d chosen such an early flight because I wanted to get to the OR the day before and make sure I was set for the next day’s All Mountain Demo at Solitude Mountain Resort. As soon as I grabbed my ticket and was flushed through security, we boarded the plane and were told we were going to be sitting on the tarmac for nearly an hour due to runway construction at a Phoenix layover. “No worries,” I told myself; “You’re a patient guy. Just relax.” Besides, I was going to have to wait a while in Phoenix to change planes anyway. Once the hour passed, our 737 commenced rolling, made a right angle turn onto the runway, and then roared its engines. Shortly thereafter, the engines stopped.

“Hey there folks, this is your captain. We hate to delay you further, but we need to taxi back to the terminal due to some slight mechanical problems.”

I’m in a Zen like state at this point – breathing through my nose and out my mouth and trying to slow my rapidly expanding heart. It was a bit of a contrast to the guy next to me who created an entire sentence – featuring subject, predicate, everything – with the F word.

We make our journey back to the terminal, and I realize I’m now sitting in the midst of a mob about to revolt. Five minutes pass and the negative vibe in the plane is thickening. A baby cries.

“Hey there folks, this is your captain again. I hate to break the news but this plane is inoperable. We’re going to have to rebook your flights on another airline. We’re sorry if this causes any more inconvenience.”

Time to leave.

Several more hours of flight schedules and reschedules come to pass, and I finally make it into SLC. Hailing a cab from the rainy airport, we dodge traffic on the way to my abode for the next five nights - a circa 1960s downtown motel three blocks from the show. Because I had unfortunately made my reservations the week before, the only room I could find unoccupied was a smoking room (I don’t smoke) in this one-star rated harbor for homeless urban explorers.

Opening the door, the stench of old cigarettes and latex pour onto the threshold nearly knocking me over. “Ahh, wow…amazing…this is…well, this is your own fault,” I say to myself, frustrated that I’d waited so long to book. I’d been to the show before and knew better. I figured I was going to be at the expo or out most of my time, and I would only be using the room to sleep; so I decided to make it a go. That, and I really didn’t have any other viable options.

I unpack my gear and head over to the Salt Palace to register -- only to be told I could NOT register as a non-exhibiting attendee. Cranial veins are popping; beads of sweat are forming on my brow.

“I’m sorry ma’am, that’s actually incorrect. I have come to the show before and it’s listed online. I’m a non-exhibiting attendee.”

“Sir, you’re not getting into this show unless you are an exhibitor or a buyer.”

I smile, say thanks, and turn around to make the wet trek back to the motel. After I register with no problems online, I head to a pub for some dinner and a Sierra Nevada. Full and sleepy, I walk back to the motel for some rest before the next day’s shenanigans. I pull back the comforter and there are four cigarette burn holes in the sheets. I decide to sleep fully dressed.

After waking up the next morning, I walk into the shower. “Wait…what is that stuck in the shower head? A syringe…you’re joking…

*          *          *

Hopping on a complimentary shuttle from the Salt Palace to Solitude, I have a rejuvenated spirit and am ecstatic about skiing some of this year’s rare snowfall. I shred the mountain all day on some new K2 demos then head over to the OR mountain party. Kass, a ski instructor from Vermont I’d met earlier in the day, was wrapped up in conversation at a full table so I planted myself down at a spare with some strangers. There I met Brad, who was recently divorced after 37 years from what I gathered was spending too much time at Burning Man experimenting in weird adventures. He was nice enough though and offered a ride back down the mountain in his self-proclaimed BMW, or Big Mormon Wagon. I never could figure out if he was actually Mormon or atheist.

The Salt Palace is teeming the next morning with tens of thousands of people. I make my way onto the floor and take an initial scope of the entire venue. I have a few meetings set up each day and one big brand meeting I’ve spent months bringing to fruition. The rest of my time is spent trolling companies to see which brands have an advertising identity that might work well with what I offer visually.

One of the most interesting aspects of the OR is the variety of attendees. Cool hipsters with hairdo science projects to suit people to free spirits to young entrepreneurs to corporate powerhouses pretending to be hippies all abound into this melting pot of outdoor industry. In one corner you have distinguished old men adorned with Hemmingway-white beards selling rich leather and hardwood bear statues and on the other end you have early twenty-somethings wearing flat-brimmed hats peddling the latest designs in artificial climbing handholds.

It costs a lot for a freelance photographer like me to attend an event like this. $475 for the entrance badge (I think it’s around $30 for actual buyers) plus $750 round trip plane tickets plus $325 total lodging costs (told you the motel was cheap), plus food, plus etc., plus etc. But...once you pass through the gates and under the massive Outside Magazine arched entryway, you have entered a world where anybody who is anybody in the outdoor world will find themselves for this winter week in Salt Lake City. Heck, even Bear Grylls comes. Except for a very few rare, smaller brands everyone is very respectable - even to freelancers.

I saw Kass, my ski buddy from the day before and asked how her day was going. I’d spotted her in the crowd by her loud, boisterous demeanor, signature no-makeup face, neon orange shoes, and Sherpa backpack full of rolled up canvas samples. Kass is very no-nonsense and told me twice that old men love her. I suppose this is because her give a damn meter is completely wrecked. That being said, she saunters seamlessly around the OR producing business and business contacts for her employer. It’s actually quite impressive to see first hand.

Time flies, and I soon find myself standing in front of a small television screen imbedded into a black booth wall. I’m watching some sort of demonstration about underwear for ninjas being narrated by Dwight Schrute from The Office. Somebody walks up and asks if they may be of assistance.

“Yeah, hey, how did you get Dwight Schrute to narrate your video?”

A blank stare for a minute then the man crumpled in laughter. I wasn’t joking; I just thought…you know, ninja suits, and the narrator did, in fact, sound identical. When the guy comes back up he sputters something incoherent, but I gather from his overall context that the narrator is their CEO.

Anyhow, the day continues in a similar fashion and I find myself invited to a snowboard company’s advertising agency’s super secret party that night. After the OR winds down, I'm somewhat lost and walking down a dark, sketchy back alley leading to where I thought there was supposed to be a high-end celebration. Trodding along, I spy a misplaced hotdog vendor behind a cart in front of a massive garage door.

“Hey,” I say.

“What’s up?” he responds. “You want a Sicilian hot dog?”

I walk inside the garage, gazing into ancient Industrial Salt Lake City turned into brand new Advertising Agency Salt Lake City. This place has all the stuff every modern ad agency has: exposed brick walls, black ventilation ductwork, clients’ art adorning every wall, some awards, and the ping pong table. What draws my attention though is the full-scale half pipe they have in the back, complete with six skaters. That, and the amazing snowboards everywhere. It was as if someone took the scene from Pinocchio where the wooden boy goes to the land of bad kids and blended it with modern day business. Microbrew cans overflow from ice-filled kiddie pools. I grab a stout and the Sicilian.

I first decided to partake in the ping pong (a game I don’t regularly play), but some lip balm sales rep with a high-pitched voice and thinning hair decided he needed to prove something to me, so I drifted over to watch the skaters and check out the new line of snowboards, which were glorious. Somewhere throughout the night, I bantered with a couple different art directors and other creatives – learning about their clients and exchanging ideas while realizing this type of networking kicks email's butt any day.

*          *          *

My trip culminated with my biggest meeting of the show. As is the case with many adventure photographers, I’ve been wanting to associate myself with a single large brand, such as super producer Jimmy Chin has done with The North Face. I’d worked for months shedding blood and tears over emails and phone calls to set up this meeting, and I felt it was worth it when another photographer stopped by to set up an impromptu meeting but was politely denied. After spending some time with a young marketing manager completely stoked on life, I worked out a deal to shoot some spec work of their products this summer. If they like the direction I head with their branding image, it looks as if we might have a productive relationship sometime in the near future.

I happily sauntered back to the motel and stoked on life myself. The next day of the show was going to be the last, and I felt as if I had already tapped every resource I could. Trying to rebook my flight to leave that day rather than the following was going to cost $200 and I didn’t really have enough time that afternoon or the next day to ski, so I decided to swing by Starbucks, grab a coffee, and begin writing my perspective of the Outdoor Retailer.

It was an arduous and productive winter path, and I’ve long since left my dirty motel room and the concourse where I began this story. I now sit back on a 737, patiently waiting to go home and begin my new work leads.

“Hey there folks, this is your captain. We hate to delay you but there’s some runway construction at our Phoenix layover...I'm afraid our departure is going to be postponed for about an hour.”

BF

Tuesday, January 3, 2012

Nikon D800

Looks like the new Nikon D800 may be released on January 6th, just in time for our scheduled filming of Taos Ski Valley!
www.nikonrumors.com


Tuesday, August 2, 2011

Book Pre-Release: Urban Search & Rescue

Texas Task Force 1: Urban Search & Rescue, is available for pre-release at Amazon and Barnes & Noble. Slated for its official launch this September, I've been working on this project for the past few years with Texas A&M University Press; Texas Task Force 1; and TEEX, the agency that provides the team's funding and training.



Here's a little synopsis about the book from the publisher:

"Trained for ground, water, and air missions throughout Texas and the nation, Texas Task Force 1 serves as the state’s primary search and rescue team and as one of twenty-eight federal teams in the national urban search and rescue system. Founded in 1997, this elite team has been dispatched for state and national emergencies, probing the devastation at Ground Zero and saving lives on the Gulf Coast in the aftermath of Hurricane Katrina.

Texas Task Force 1’s more than four hundred highly trained members come from sixty organizations throughout Texas and include firefighters, canine handlers, medical specialists and doctors, heavy equipment operators, structural engineers, and others.

Photographer Bud Force gives us an intimate picture of Texas Task Force 1 at work as he follows the team on their major deployments and documents their specialized equipment and training, including time spent at the unique facility known as Disaster City. The result is a lively mix of history, interviews, and photographs that paints a fascinating portrait of these courageous people—and their canine partners—who place themselves in danger in order to save others."

Wednesday, June 15, 2011

Mountain Film: Taos Ski Valley, New Mexico

Shot this video of some extreme skiiers a few months ago at Taos Ski Valley, New Mexico.

Thursday, May 5, 2011

Canyon Rescue

A request recently came through that provided an awesome opportunity to document some high-angle canyon/trench rescue training at Lake Mineral Wells State Park's "Penitentiary Hollow" climbing area. There's a number of old tales and legends about the spot including one that tells the story of an escaped convict who held out in the hollow for years before finally getting caught and lynched. Another legend explains name because of all the cattle thieves back in the day who would stash their cows here before heading north to the sale barns. Whatever the truth, the area is truly spectacular and offers plenty of climbing and rappelling challenges.

Monday, March 28, 2011

Ski Bums.

The young A-Team cast of an extreme ski video we shot last week at TAOS Ski Valley's Kachina Peak in New Mexico:








Tuesday, March 8, 2011

Simplification Through Work and Life

Outside of having faith in something greater than yourself, it seems as if one of the secrets of life is balance. Whether that is a balance of how much you eat to how much you work to how much you work out, if one side outweighs the other, the outcome is often a negative one. Yvon Chouinard, co-founder of Patagonia, said, “The hardest thing in the world is to simplify your life. It’s so easy to make it complex.” 
That’s powerful stuff. We often get so bogged down with worry, plans to secure our future, and thoughts of the past that the time old admonishment of living in the present gets forgotten. I saw someone wearing a T-shirt at the gym the other day that said, “Be Present.” I still can’t get it out of my mind - be present. Plan for the future, spend time remembering the past, but be present as you’re doing it. Be present in the moment that you’re investing online. Be present Sunday night when you’re thinking of everything that needs to get accomplished on Monday. That Sunday night is just as important in the journey of life - in the long run - as is the following Monday morning. Be present as you’re shooting photos.


“The hardest thing in the world is to simplify your life. It’s so easy to make it complex.” Yvon Chouinard


























It’s sometimes difficult as a freelance photographer to be present when not shooting photos. Unlike a steady career for an extraneous employer, everything must be taken care of first hand by myself or those with whom I directly work. And, everything related to work, down to the most mundane detail, has a direct personal effect. From marketing to financial organization to retirement to travel to on and on, it’s easy to get caught up in the whirlwind of what needs to get done rather than focusing on being present and enjoying the ride. For me, I have focused a lot of energy on living in the moment while preparing for the future since becoming an independent photographer several years ago, and I’ve been able to cultivate a life where work and living are one and the same.

When I first became a freelance photographer, the stress level was intense. I’ve been blessed enough to always have had work; however, no matter how far ahead my schedule was booked, there was always an ending day (whether one month or twelve) where there were no more jobs listed on the calendar. This took getting used to, and for a long time, it affected my sleep and my day-to-day activities. It was when I finally realized what was going on that I decided to quit looking at work as this necessity of daily labor and view it in light of the fact that this is just what I do in life. This is how I choose to live my day to day existence. There is no work, and everything is work. Perhaps a mechanic won’t spend his prized days off working on old cars, but an accountant might - because the perception of work varies in each of their lives. But, as long as they enjoy what they are doing, the essence of work disappears and they’re simply living.

Living in the present while simultaneously planning for the future and looking at work and life as the same - for me - creates an environment for increased productivity and creativity.

Thursday, March 3, 2011

Eagle Rock Loop

We recently had the opportunity to document the longest remaining wilderness trail in Arkansas - Eagle Rock Loop. Below freezing temperatures and a number of river crossings were challenging, but winter's stillness was hauntingly beautiful. With many of the forest's animals bedded down for the season, the only sounds to be heard were the occasional crash of a falling branch and the snow's crunch under our footsteps. http://ouachitamaps.com/Eagle%20Rock.html

Working Remotely: How to Shoot with Limited Resources

This past year, I gave a couple webinar presentations to various humanitarian aid organizations through an agency called Global Giving www.globalgiving.org, which basically hooks up potential donors with the appropriate legitimate agencies who help. The premise of the class was to teach aid organizations in remote environments how to get documentary footage for their marketing/donation materials. As you can imagine, this can prove quite difficult if you’re in, say, Tanzania, and don’t have access to electricity within 500 miles and won’t have it for the next month. Drawing upon experience working in both disaster environments and remote areas, I’ve learned some tricks to maintain my gear in the field, keep it powered, and, (hopefully), be able to use it again.

Although most of us aren’t going to be living in a Tanzanian tent for several months, some of this information might be a useful fix for anything from running out of batteries at a ball game to a weekend canoe trip with the family. Before leaving for a remote (or possibly remote) assignment, the primary photo related items that take precedence in my mind are going to be:

What still camera/lens combinations can I bring for the specific environment?
I use primarily Nikon gear www.nikon.com and my cameras range from high end digital SLRs to more compact point and shoots that can easily fit into my pocket. Also, with today’s advanced camera phone technology, I always include that asset close by. Currently, most people are realizing the potential of the Iphone image capture capabilities; however, I personally use the HTC EVO www.sprint.com/evo, which features an 8 megapixel camera and a number of other features. Both phones include the availability of post production apps for editing directly within the device, which is very convenient for sending update pictures to certain clients or using in social media initiatives.

The lenses I bring for the SLR cameras vary widely depending on the assignment. Usually, I will take two SLR camera bodies (normally a Nikon D700 and D300s) plus a mix of wide angle to telephoto lenses. I also always pack a 1.4 50mm lens no matter the assignment. 



What video camera/lens combinations can I bring for the environment?
I always take some type of video recording capabilities, even if it’s for short social media web videos down the road. Still photographers are providing video to their clients on a more frequent basis every day. The ability to provide both stunning still images while simultaneously shooting video for the web, Ipad, etc. is becoming the norm. During a recent social media seminar I attended, I learned that approximately 28 percent of 2010 Google searches were video based. Short, marketable web videos are becoming extremely important for companies and agencies to promote their brand and having a photographer who can shoot both still photos and video is a must. The video capabilities of digital SLRs has exploded onto the scene in the past few years. From filming episodes of “House” to extremely creative web videos, SLRs are being used more and more in the video world. No longer is it necessary to have tens of thousands of dollars of cameras and prime lenses to shoot cinematic features. The reason this is so great for brands is that it has leveled the playing field, so now smaller companies can provide the same high quality marketing videos as top Fortune players.

What types of protection do I need for the equipment?
In my opinion, one can never have too many camera bags. From bags with rollers for massive airports to bags with light weight shoulder straps for climbing, there is no one perfect bag for all situations. Some photographers are loyal to their one brand, but mine run across a spectrum of manufacturers. I think it’s important to try a variety of bags/cases to see exactly what it is you need for the types of photos you’re taking. That being said, I use only one manufacturer for my hard cases - Pelican www.pelican.com. I have never been let down with their product, which has always kept my gear in a dry and pressurized environment.

Will I have access to AC or DC electricity...solar power?
Cameras can’t work without power, and the basic way to get that power is through AC or DC outlets or through solar panels. So, one of my “always have” items is an inverter for converting DC power to AC, so I can plug in a regular 110 wall plug into a vehicle. I pack slightly differently depending on whether I’ll be in a remote urban or remote rural area - the main difference being the availability of vehicles and power packs. Unfortunately (or fortunately, depending on where you are), sometimes there’s no access to either wall outlets or vehicles and solar power is a must. As far as I’m concerned Brunton www.bruntonoutdoor.com is one of the leaders in mobile solar power for your phone, camera, computer, and accessories. Flexible and easily stored, these solar panels are definitely built for the field. 

What extra gear will I need for the environment/length of assignment?
Photo memory storage is more advanced than simply carrying extra memory cards or carrying a few massive data storage devices. In the aftermath of Hurricane Katrina in downtown New Orleans, I dropped a memory card into the water while changing cards in an unstable boat. It’s for this reason that I don’t carry huge 32 or 64 gig cards. In fact, I usually won’t shoot on more than a 16 gig card if I’m working in a hazardous environment where I must be extra careful in the protection of my cards. Although you hopefully won’t ever lose photo data it’s better to spread those data assets out and prepare for the unseen. If you’re going to be in the field more than a few days or in a hazardous environment regardless, it’s always a good idea to carry some type of backup storage drive for your cards. Usually, you can plug your cards directly into these devices and you instantly have a Plan B if something were to happen to the original data.

Outside of backup memory storage, I’m normally carrying a Garmin GPS www.garmin.com, plus I have the GAIA GPS www.gaiagps.com application on my phone and Ipad. GAIA has a free version and allows you to choose from a number of map sources including My Topo and Open Street Map. A SPOT Satellite Messenger is also a great idea to have in your kit www.findmespot.com, as it will send pre-loaded messages via satellite (with coordinates) to specified email addresses and social sites.



From my experience, if you have these bases covered, then you should be well on your way to being able to shoot for as long as you have prepared without too much Murphy’s Law getting in your way. That being said, Mr. Murphy is always waiting, and there is no way to completely cover all bases for all situations in a short newsletter entry such as this. Each situation is custom, and it is important to sit down and analyze exactly what photo/video gear you need, how you’re going to transport it, power it, and protect it.

Wednesday, December 29, 2010

Beer!

D Magazine is one of the largest magazines in the United States per capita, so you can imagine how much of an honor it was to sign a freelance contract with them earlier in the year. Since signing, we've worked on a number of projects together including this cover story on the top brewmasters in Dallas, Texas. Drink up!